I make paintings, drawings, and sculptures that combine figurative, architectural, and expressive forms with recurring motifs and fragments of places. Through layered brushwork, gestural marks, and repetition, I merge, obscure, dissolve, and reintroduce forms, transforming encountered places, familiar objects, and lived experiences into imagined spaces that I call “situationcapes.”

After leaving Haiti in 2000, I lived in the Dominican Republic for ten years before moving to the United States, with shorter periods in Asia and the Middle East. Living across different cultures, geographies, and histories has shaped my understanding of place and self as fluid rather than fixed. These experiences inform my interest in how ideas of self and home are shaped through migration, movement, and memory.

My work also explores the lingering effects of inherited ideas of self shaped by colonial systems. Alongside my diasporic experience, this has led me to understand identity and belonging as unfinished and continually reconstructed. I create spaces where fragments, memories, histories, and experiences overlap and remain unresolved. Rather than resolving this instability, my work gives it physical form.